M U N D O
24x30” oil/cold wax on canvas. I’ll never get sick of this color palette. I focused a lot on this piece’s composition, balance, and palette harmony when creating it. Something I struggle with is excess, and knowing when to put the paintbrush down. Knowing when to NOT add any more marks to a piece is one of the things that differentiates beginner abstract artists from advanced, and I’ll forever be a student at this.
Mundo, meaning “world” in latin (yes, the only language I’ve studied at length), evokes calm, space for thinking and being, and has pops of teals and burnt oranges, my favorite color combination. It’s intended to be an abstract depiction of a lake by the mountain, but I found the painting taking its own course and becoming more abstract as I created it. Sometimes, you have to let the paintbrush do the thinking. When looking at it, I find it also has some characteristics shared with Japanese art. Maybe that’s just me.
24x30” oil/cold wax on canvas. I’ll never get sick of this color palette. I focused a lot on this piece’s composition, balance, and palette harmony when creating it. Something I struggle with is excess, and knowing when to put the paintbrush down. Knowing when to NOT add any more marks to a piece is one of the things that differentiates beginner abstract artists from advanced, and I’ll forever be a student at this.
Mundo, meaning “world” in latin (yes, the only language I’ve studied at length), evokes calm, space for thinking and being, and has pops of teals and burnt oranges, my favorite color combination. It’s intended to be an abstract depiction of a lake by the mountain, but I found the painting taking its own course and becoming more abstract as I created it. Sometimes, you have to let the paintbrush do the thinking. When looking at it, I find it also has some characteristics shared with Japanese art. Maybe that’s just me.
24x30” oil/cold wax on canvas. I’ll never get sick of this color palette. I focused a lot on this piece’s composition, balance, and palette harmony when creating it. Something I struggle with is excess, and knowing when to put the paintbrush down. Knowing when to NOT add any more marks to a piece is one of the things that differentiates beginner abstract artists from advanced, and I’ll forever be a student at this.
Mundo, meaning “world” in latin (yes, the only language I’ve studied at length), evokes calm, space for thinking and being, and has pops of teals and burnt oranges, my favorite color combination. It’s intended to be an abstract depiction of a lake by the mountain, but I found the painting taking its own course and becoming more abstract as I created it. Sometimes, you have to let the paintbrush do the thinking. When looking at it, I find it also has some characteristics shared with Japanese art. Maybe that’s just me.